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Addicted To Fresno
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CREATORS OF "Addicted To Fresno"
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HEROES OF "Addicted To Fresno"
Addicted To Fresno
CRITICS OF "Addicted To Fresno"
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Fan The Fire
Resource

February 26, 2016

Perhaps in other hands Fresno could have been a hilarious dark comedy , but instead Jamie Babbit and Karey Dornetto have made a chronically unfunny farce, harsh and offensive in its tone, inexcusably laughing at those who are worse off than themselves.
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TheWrap
Resource

October 01, 2015

The laughs are mild, but at least some exist.
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Variety
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April 25, 2015

A mean-spirited farce whose strenuous bad taste seldom translates into actual laughs.
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Eye for Film
Resource

October 14, 2015

The colour is off and the setting is snark but the high energy levels and great performances win you over.
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Austin Chronicle
Resource

August 29, 2016

Greer's character ultimately gives the audience too little to root for.
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RogerEbert.com
Resource

October 02, 2015

"Addicted to Fresno" is such a mean-spirited, dull and silly movie that it buries its talented cast under the weight of a horrendous script that they can't possibly redeem.
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New York Times
Resource

October 01, 2015

"Addicted to Fresno" is one of those comedies that seem not to care whether you laugh. Parts of it seem openly hostile to the idea.
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4:3
Resource

March 02, 2016

In Addicted to Fresno, it feels like the film's action relies on the audience rooting for Greer's character, but Babbit's characterisation doesn't offer much to root for.
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Cinemalogue.com
Resource

October 09, 2015

There's a mean-spirited tone to the screenplay, which can't reconcile its broad slapstick antics with attempts at deeper emotional resonance.
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Los Angeles Times
Resource

October 01, 2015

Beyond a few nice closing emotional beats, the whole enterprise plays too desperate and slapdash to whip up the goodwill required to sell such thin, far-fetched material.
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Observer (UK)
Resource

October 11, 2015

Naff jokes about rape, the Holocaust, and the wretchedness of Fresno leave laughter in short supply as the shrieky action pinballs self-consciously from barmitzvahs to pet cemeteries.
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Washington Post
Resource

October 01, 2015

Strong lead performances and an energetic supporting cast elevate the uneven material.
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