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Jamie Marks Is Dead
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Jamie Marks Is Dead

Description
In a small town, the body of Jamie Marks, a teenager nobody really knew or interacted with except occasionally to bully, is found by the river. His ghost is then seen by two high school students: Gracie Highsmith, who discovered the body, and Adam McCormick, the star of his cross-country team who becomes fascinated with Jamie. Adam then is caught between two worlds, the spirit and material one when he and Jamie begin a loving but platonic relationship.
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Jamie Marks Is Dead
CRITICS OF "Jamie Marks Is Dead"
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JoBlo's Movie Emporium
Resource

August 29, 2014

A nifty little sleeper in the vein of DONNIE DARKO.
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RogerEbert.com
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August 29, 2014

It is likely to test the patience of many viewers.
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Variety
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January 21, 2014

The potentially ludicrous story is handled artfully enough here to cast an eerie but not off-putting spell throughout, though the ultimate point is more than a tad murky, and the desired poignancy doesn't fully come across.
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Film Threat

August 26, 2014

It's a film that I liked more when no one was speaking, getting into the atmosphere of this world without having to deal with the awkward plotting within it.
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The Film Stage
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June 21, 2016

It may have more brains behind it than The Ruins, but hopefully Smith can find material truly worthy of his technical talents with his next feature.
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Los Angeles Times
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August 29, 2014

"Jamie Marks Is Dead" admirably refuses to hew to conventional horror tropes and is acted with integrity by its young performers, but the film nonetheless has a nagging pulse problem.
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New York Times
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August 28, 2014

Temperate in tone but screaming with subtext, "Jamie Marks Is Dead" climbs above the current glut of supernaturally inclined entertainment by dint of a hushed unease that permeates almost every frame.
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NYC Movie Guru
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August 30, 2014

Unpredictable, atmospheric and enigmatic. This isn't your average coming-of-age film which makes it all the more refreshing, unique and un-Hollywood.
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New York Daily News
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August 27, 2014

Writer-director Carter Smith got his start as a successful fashion photographer. But you wouldn't know it from the murky look of this generic thriller.
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Salt Lake Tribune
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August 26, 2014

Writer-director Carter Smith sets a brooding, chilly atmosphere, but he also writes opaquely vague dialogue and includes in a subplot involving Adam's mother (Liv Tyler) that goes nowhere.
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Village Voice
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August 27, 2014

The film uses its phantasmagoric conceit, a sickly-hued poetry, and eerie sound design to build metaphors for closeted homoeroticism and melancholic unfulfillment.
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