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The Lovers
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The Lovers

Description
Jay Fennel, a modern Australian rugged and attractive marine archaeologist and Tulaja- a 18th century Indian She-warrior.
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DIRECTORS OF "The Lovers"
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The Lovers
CRITICS OF "The Lovers"
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Under the Radar
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March 28, 2015

Joffe seems well aware that this is a story not worth telling ... the filmmaking is so hopelessly uninspired that Hartnett's Scottish accent is somehow not its most glaring flaw.
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Los Angeles Times
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March 12, 2015

There's a veil of artifice clinging to every aspect of "The Lovers," a thoroughly unconvincing time-traveling epic costume drama pairing a miscast Josh Hartnett and Bollywood beauty Bipasha Basu.
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Village Voice
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March 10, 2015

It's hard to root for love to bloom between a stock Strong Female Character and the nicest man in history.
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SSG Syndicate
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March 13, 2015

Flailing through centuries, it lacks any meaningful connection between the two timelines.
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Today's Zaman (Turkey)
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February 29, 2016

If you're aching to see a tragic tearjerker romance, then the only tears you will shed will be of frustration.
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Time Out
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March 17, 2015

As one of the film's many forgettable characters so eloquently puts it, "This stinks worse than an oyster's fart."
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New York Daily News
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March 12, 2015

Suckers for romance likely won't complain, but this Josh Hartnett time-travel epic is nuts.
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The Film Stage
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February 23, 2016

A slew of half-baked characters and a derivative, white-man-in-a-foreign-land plot line make it hard to recommend, despite a handful of inspired moments.
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Blu-ray.com
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March 12, 2015

Instead of evolving into intriguing lunacy, "The Lovers" loses a critical battle with coherency.
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New York Observer
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March 11, 2015

It's so deadly and unintentionally funny (I hope) that it practically defies description. Mr. Joffé should go back to film school as soon as possible.
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Film Journal International
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March 13, 2015

[The Lovers] strives mightily to be a new Titanic for the Millennium [...]but resoundingly fails at every turn.
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New York Times
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March 12, 2015

Time may bring good things to light, but the 2010 copyright suggests that delays have worked no such wonders for this film.
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