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The Unseen
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The Unseen

Description
The film stars Aden Young as Bob Longmore, a man struggling with a mysterious disease which is causing his body to slowly become invisible. Having abandoned his family eight years earlier when the condition began emerging, he lives in a logging town in the far north of British Columbia, isolating himself as much as possible and keeping his body carefully covered whenever he does have to interact with people.
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The Unseen
CRITICS OF "The Unseen"
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Flick Filosopher
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December 15, 2017

A portrait of grief and guilt that's only mildly engaging, until it morphs into a wannabe psychological thriller and turns limp, laughable, and just plain icky.
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Sight and Sound
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December 20, 2017

Like a lot of paranoid suspense films, The Unseen works best when its menace is indeed unseen.
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Little White Lies
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December 15, 2017

What The Unseen lacks is Roeg's economy... The performances are all good though, and the sterile modernity of both the Shields' and Paul's respective domiciles suits these peculiarly alienated people who, unseen, haunt each other's homes.
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Times (UK)
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December 14, 2017

A committed central performance from Jasmine Hyde can't quite save this half-baked thriller that matches jarring tonal leaps and narrative ineptitude with unfortunate echoes of superior films.
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Total Film
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December 15, 2017

Sinyor's film is turgid, flabby and - despite some committed performances and great ideas - toothless, with neither tension nor bite.
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Radio Times
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January 29, 2018

Writer/director Gary Sinyor spent over a decade developing this unsettling thriller, which overcomes the odd plot blip to provide some poignant insights into the psychological consequences of grief.
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Sunday Times (UK)
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December 17, 2017

Gary Sinyor's film has a basic but effective way of jangling its viewers' nerves at selected moments. One thing the visual trickery can't blot out, though, is the plot's unhelpful daftness.
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Daily Express (UK)
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December 15, 2017

A sincere effort but it all feels entirely predictable and underwhelming.
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SciFiNow
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December 11, 2017

The final act stumbles once or twice, but it's engaging, tense, the conclusion is earned and affecting, and [Jasmine] Hyde's superb performance carries it through any wobbles.
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Empire Magazine
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December 17, 2017

A drama of upper-middle-class menace that can't quite bring itself to be a full-on slasher movie, this has a few too many clichés but offers some creepiness and decent performances.
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Guardian
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December 14, 2017

Due to issues with pacing and control of the narrative, it doesn't quite come together, and the necessary chill isn't properly refrigerated.
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Observer (UK)
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December 17, 2017

The film lurches into conventional horror-thriller territory as it progresses, though there are interesting moments ...
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