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Wrong
CRITICS OF "Wrong"
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Violet Lucca
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June 14, 2013

Wrong wears out its welcome even at 94 minutes.
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Linda Barnard
Resource

April 18, 2013

Dupieux makes the viewer work for it with Wrong. And it's not always worth the effort ...
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Mark Olsen
Resource

March 28, 2013

Dupieux's absurdism is simply muddled, masking the fact he doesn't really have much to say.
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Brent Simon
Resource

April 26, 2013

A work of much playfulness and imagination, Wrong hints at a broader promise of budding, starburst auteurism upon which the film as a whole -- a nice, silly riff that could work better in truncated form -- doesn't fully deliver.
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Kimber Myers
Resource

August 13, 2013

The whole film feels a bit like a dream after a late-night burrito, leaving you wondering if moments in the film actually happened, particularly when mulling over it the next day.
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Adam Nayman
Resource

April 19, 2013

There's a winning confidence to the filmmaking, which is deceptively stylish - Dupieux favours nervy close-ups and blurred foregrounds - and some real soul in Plotnick's performance.
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David Lewis
Resource

March 29, 2013

Dupieux has to be applauded for creating a unique universe, but sometimes he seems stuck in it - to the point where we feel we're not always in on the joke.
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Brian Gibson
Resource

July 11, 2013

Apart from arousing fitful curiosity, this stretch of surrealism yawns into an arid expanse of flat quirkiness. Meanders between torquing noir clichés and drifting through a funhouse-mirror-maze of SoCal conventions. Little strange poetry emerges.
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Jeremy Mathews
Resource

April 05, 2013

This isn't a long film, but it lacks propulsion at times. Luckily, it maintains its wry outlook and never quite erases the good will that its best moments inspire.
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Kate Erbland
Resource

March 29, 2013

Dupieux doesn't make films for everyone, but he does craft creative and abstract trips that are more than worth going on, even if they're fantastically difficult to explain to anyone who has yet to join the club.
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Jason Anderson
Resource

April 26, 2013

Quentin Dupieux's brand of absurdism lands somewhere between the plays of Eugène Ionesco, the looniest sketches of Monty Python, and the most adventurous efforts of the Adult Swim brigade.
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Joel Arnold
Resource

March 29, 2013

In Wrong, reality and the world of the film will regularly upend themselves; it's never quite reliably clear, though, that these inexplicable events are happening for a purpose.
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